Kevin Frison's On-Line Gallery of Art

 

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Hello!  I'm Kevin.

Here's a little about me and my art...

    

This is a photo taken of me with some of my paintings at Phoenix's First Friday art walk downtown.  

    

Let me tell you a little about myself...

Welcome to my website!  I hope you have fun investigating all my art: visual, musical, and written.  I live in East Phoenix with my partner, Brian (he says hello, too!) and my cat, Sophie.  I happen to be disabled, and am currently working to make a living with my art.  Not an easy task, but I'm trying!  Below, I'm posting the standard "bio" I give out to collectors who buy my art and who request it.  Read on and discover a little more about me.  And, if you have any questions or comments for me, please don't hesitate to send me mail.  I'd love to hear from you.

 

A Short Biography of Kevin Frison 

I began my adult career not as an artist, but as an archaeologist.  When asked, even as a very young child, what I wanted to be when I grew up, I invariably responded “an archaeologist.”  I can’t really remember not wanting to be an archaeologist.  It was just something I always wanted to do.  So as a young man, I entered the anthropology program at the University of Arizona in Tucson, still intent on becoming an archaeologist. 

Unfortunately, though, while at college, the first symptoms of mental illness started to appear.  It was a horrible nightmare.  I had no idea what was happening to me, and as a result, it was to be years yet before I’d get medical help.  I began to suffer from violent mood swings, and managing education and work schedules became increasingly difficult.  I did, however, finish up my undergraduate degree and, after graduating, was even able to begin working as a contract archaeologist. 

I worked a number of years doing archaeology, and then entered graduate school at Northern Arizona University, majoring in Quaternary Studies.  I was then twenty-four.  By this time, though, the symptoms of mental illness had become more and more pronounced, resulting ultimately in the inability to attend school or work.    I still suffered from wild mood swings, and began to experience auditory hallucinations and severe paranoia accompanied by delusions.  It was then that I first began to receive treatment through the state-subsidized system for the mentally ill.  Such treatment probably saved my life, although the following ten years were mentally tumultuous, and I was put on seemingly every psychotropic drug in existence before finally encountering a medication combination that seemed to work fairly well on my symptoms. 

At about the same time I started receiving regular treatment for my mental illness, I began to paint, with a friend’s encouragement.  At first I created only paintings influenced heavily by Southwestern prehistoric ceramic and rock art designs.  I found inspiration for these paintings in my experience working as an archaeologist throughout the Southwest and my consequent knowledge of Native American ceramic and rock art designs.  Here’s a pic of my first painting in that style:  

 

I found that these paintings had a fairly broad appeal, and began sell my first works of art.

Some time later, I discovered that art was art, and that visual art contained within it the same basic principles and methods of artistic conveyance that the performing arts contained.  I had only very rudimentary training in the visual arts, but had grown up a musician; I had formal training in piano performance and in music composition.  I found that all art required serious thought and implication, toward inference on the part of an audience. 

Many of my early paintings included blatant, unmistakable text.  I think now that it was principally my use of text that prompted a gallery owner in Flagstaff to label me an “outsider artist.”  The label still fits fairly well, however, since I am largely self-taught when it comes to the visual arts.  Over the years, I turned toward more expressionistic forms and implied text.  More recently, however, I have returned to including obvious, printed text, usually of poetry that I've written specifically for use as collage, on my abstract paintings.  So I continue to call myself an "outsider artist" on both counts: the use of text and the fact that I have no formal training in the visual arts.

Now I work as a visual artist, selling paintings as I can to supplement my fixed income.  I remain unsure as to whether or not my mental illness is reflected in my art.  It must be, though, to some extent or another.  Though mental illness has created a great deal of suffering in my life, it has also proffered me different, new, and open views on things in general.  Those with serious mental illness in general tend to be more receptive to new ideas.  I hope that my audience is affected by my work as much as I am myself.

I do much of my painting at Art Awakenings, a studio/gallery in downtown Phoenix that, as a nonprofit organization, provides an open studio with free art supplies, including everything from paint and canvas to sculpting clay, for the mentally ill community here in metropolitan Phoenix.  Any client receiving mental health services through the state-subsidized system is eligible to participate in the creation of original works of art at the studio.  Members are free to work on any type of artwork they please, and the organization also provides classes in various art media, as well as in the written word, and at times in music, for those who desire more formal instruction.  I rather dislike the idea of taking a structured class in art, but, interestingly, I have recently, in 2007, taught a four-week seminar that I called "Writing Poetry through the Use of Imagery."  The class was, in my own assessment, a tremendous success, and it was a delight to see my students learn to write their own original poetry using imagery as the principle tool of communication.  

In addition to the studio space, Art Awakenings also functions as a gallery, where member artists can exhibit their work in a juried exhibition each month for "First Friday," an art walk held in downtown Phoenix the first Friday evening of each month.  Galleries downtown, including Art Awakenings, are open late and welcome visitors from all over the Phoenix area each "First Friday."  I usually have one or more works on exhibit each month at the Art Awakenings gallery, many of which I have never included on this web site.  In addition to the monthly juried "First Friday" exhibit in the Art Awakenings gallery, the studio is now running a program that they call "Art Under the Stars," where any participant in the Art Awakenings program may exhibit artwork outside the gallery and studio in the parking lot, where tables are set up for that purpose, and outside wall space is made available for participants to show their work and offer it for sale to the many hundreds of people who visit each "First Friday."  You can view all the artwork that Art Awakenings has on exhibit inside the gallery each month at their web site (follow the Art Awakenings link above to view the work on the "Gallery" page on the program's web site).  And, to find out more about Art Awakenings and its mission to aid recovery for the mentally ill, or to find out more about "First Fridays," use as well the links provided above.

Again, art is art, regardless of form, and science, which I learned and practiced as an archaeologist, is, I think, a form of art as well. It is through art that I maintain a grip on external reality.  Placing my inner thoughts and emotions on canvas is as much therapy for me now as it is for any audience that may view my work.

Whew!  That said, here's another photo of me:

I'm sitting in the little urban garden I've managed to create on our apartment porch... yeah, I like plants.  Smile.  I find gardening just about as therapeutic as I do the creation of art.

 

Finally, here's a pic of me sitting here at my computer, where I also spend a lot of time:

Have fun exploring the rest of my website!

 

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